{"id":14394,"date":"2022-01-15T21:01:21","date_gmt":"2022-01-15T12:01:21","guid":{"rendered":"https:\/\/nondesu.jp\/?p=14394"},"modified":"2022-02-10T00:28:57","modified_gmt":"2022-02-09T15:28:57","slug":"%e3%80%90%e4%ba%88%e5%91%8a6-30%ef%bd%9e%e3%80%91%e3%82%aa%e3%83%95%e3%82%a3%e3%82%b9%ef%bc%93%e3%80%87%e3%80%87%e3%80%8c%e7%a7%81%e3%81%ae%e6%81%8b%e4%ba%babeyond%e3%80%8d%e3%81%ab%e3%81%ae%e3%82%93","status":"publish","type":"post","link":"https:\/\/nondesu.jp\/en\/14394\/","title":{"rendered":"\u3010announcement 6\/30\uff5e\u3011Non will appear in Office 300 \"My lover beyond\""},"content":{"rendered":"

\"\"<\/p>\n

 <\/p>\n

\"\"<\/p>\n

The stage show \"My Lover\", which was performed in 2019, is coming back after three years.
\nBased on the original work of the same title by Akutagawa Award-winning author Takehiro Ueda, this music play is presented in the style of Eri Watanabe.
\nEri Watanabe, Non, and Fumiyo Kohinata will play as many as 30 different roles.
\nTicket sales information and detailed performance information will be announced at a later date.<\/p>\n

\u25a0Project name
\nOffice 3100 \"My Lover Beyond<\/p>\n

\u25a0Venue:
\nHonda Theatre (2-10-15 Kitazawa, Setagaya-ku, Tokyo)<\/p>\n

\u25a0Performance Schedule
\nPerformance schedule: June 30, 2022 (Thu) - July 10, 2022 (Sun)<\/p>\n

\u25a0Ticket Price
\nS seats 8,000 yen \/ A seats 4,000 yen
\n(All seats reserved, tax included)<\/p>\n

\u25a0Ticket sales start date
\nTickets will go on sale in April for both advanced and general sales.<\/p>\n

\u25a0Cast:
\nEri Watanabe, Non, Fumiyo Kohinata,
\nYume Matsui, Mamaya Sakanashi, Maho Sekine, Minami Yamada<\/p>\n

\u25a0Staff:
\nProduction Director: Eri Watanabe<\/p>\n

Stage Manager: Taro Enoki<\/p>\n

Lighting: Kazuo Miyano<\/p>\n

Sound: Naoki Fujimori<\/p>\n

Music: Shintaro Saegusa<\/p>\n

Choreography: Yume Matsui<\/p>\n

Art Director: Kayoko Nagata<\/p>\n

Hair and Make up: Atelier Leopard<\/p>\n

Costume Designer: Natsuoru Harada<\/p>\n

Advertising Art: norimori<\/p>\n

Editing: Koichi Imai<\/p>\n

Stage Photography\/Publicity Video Editing: Tadahito Ichikawa<\/p>\n

Tour Manager: Noriaki Murao, Top Scene Inc.<\/p>\n

Production: Hana Mikuniya<\/p>\n

Ticketing: Luna Yoshino<\/p>\n

Day-of-performance management: Fusane Miyano<\/p>\n

Production support: Miki Tokiwa, Chikako Shibui, Haruhi Oikawa<\/p>\n","protected":false},"excerpt":{"rendered":"

  The stage show \"My Lover\", which was performed in 2019, is coming back after three years. Based on the original work of the same title by Akutagawa Award-winning author Takehiro Ueda, this music play is presented in the style of Eri Watanabe. Eri Watanabe, Non, and Fumiyo Kohinata will play as many as 30 different roles. Ticket sales information and detailed performance information will be announced at a later date. \u25a0Project name Office 3100 \"My Lover Beyond \u25a0Venue: Honda Theatre (2-10-15 Kitazawa, Setagaya-ku, Tokyo) \u25a0Performance Schedule Performance schedule: June 30, 2022 (Thu) - July 10, 2022 (Sun) \u25a0Ticket Price S seats 8,000 yen \/ A seats 4,000 yen (All seats reserved, tax included) \u25a0Ticket sales start date Tickets will go on sale in April for both advanced and general sales. \u25a0Cast: Eri Watanabe, Non, Fumiyo Kohinata, Yume Matsui, Mamaya Sakanashi, Maho Sekine, Minami Yamada \u25a0Staff: Production Director: Eri Watanabe Stage Manager: Taro Enoki Lighting: Kazuo Miyano Sound: Naoki Fujimori Music: Shintaro Saegusa Choreography: Yume Matsui Art Director: Kayoko Nagata Hair and Make up: Atelier Leopard Costume Designer: Natsuoru Harada Advertising Art: norimori Editing: Koichi Imai Stage Photography\/Publicity Video Editing: Tadahito Ichikawa Tour Manager: Noriaki Murao, Top Scene Inc. Production: Hana Mikuniya Ticketing: Luna Yoshino Day-of-performance management: Fusane Miyano Production support: Miki Tokiwa, Chikako Shibui, Haruhi Oikawa<\/p>\n","protected":false},"author":9,"featured_media":14255,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_locale":"en_US","_original_post":"14254","footnotes":""},"categories":[8,20,21],"tags":[359,358,357],"class_list":["post-14394","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actress","category-others-news","category-others","tag-359","tag-358","tag-357","en-US"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/posts\/14394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/comments?post=14394"}],"version-history":[{"count":1,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/posts\/14394\/revisions"}],"predecessor-version":[{"id":14395,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/posts\/14394\/revisions\/14395"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/media\/14255"}],"wp:attachment":[{"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/media?parent=14394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/categories?post=14394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/tags?post=14394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}