{"id":28227,"date":"2025-11-19T20:00:01","date_gmt":"2025-11-19T11:00:01","guid":{"rendered":"https:\/\/nondesu.jp\/?p=28227"},"modified":"2025-11-20T15:57:27","modified_gmt":"2025-11-20T06:57:27","slug":"%e4%b8%8a%e8%b6%8a%e5%88%9d%e7%99%bb%e5%a0%b4%e3%80%8cbun-bun-parade-2025%e3%80%8d%e3%83%ac%e3%83%9d%e3%83%bc%e3%83%88","status":"publish","type":"post","link":"https:\/\/nondesu.jp\/en\/28227\/","title":{"rendered":"Joetsu Debut! \u201cBUN BUN PARADE 2025\u201d Report"},"content":{"rendered":"

\"\"<\/p>\n

NON performed at \u201cBUN BUN PARADE 2025,\u201d the first music festival ever held in Joetsu City, Niigata Prefecture, on November 16th.
\nThis was NON's first live performance in Niigata.
\nDespite it being November, the weather was unseasonably warm and sunny. Numerous food trucks lined up in front of the Joetsu Cultural Center, creating a lovely, cozy scene filled not only with music fans but also many families.
\nPUFFY was unable to perform due to illness, so the festival opened with a last-minute appearance by Okamoto Shou of OKAMOTO'S. This was followed by performances from Soshi Sakiyama, Sabasister, Ai Higuchi, and finally, NON closed the show.<\/p>\n

NON's familiar opening sound effect played, and she appeared with her band members, warmly welcomed by the cheers of the Joetsu audience. Riding the intro of \u201cHaru yo Ukete tatsu,\u201d she greeted them with, \u201cGood evening, it's NON!\u201d Though it had grown dark outside, her bright performance and singing voice, as if symbolizing the daytime weather, captivated the venue.<\/p>\n

\"\"<\/p>\n

In the following track \u201cFilm no Hikari,\u201d Shoko Nakamura's bass delivers a solid rhythm\u2014a welcome return to the NON band lineup\u2014while Takato Nagashima's powerful drums make you nod in agreement. The subsequent \u201cRenarrate,\u201d also the album title track, is an utterly beautiful song. NON's clear mid-range vocals combined with Kei Higuchi's undulating guitar riffs lift your spirits.<\/p>\n

\"\"<\/p>\n

The MC took the stage again to greet the audience, expressing gratitude for their first visit to Niigata. They introduced the next song, \u201cAnnoying Neighbor,\u201d explaining it was created as a cautionary tale to avoid becoming a noisy neighbor, then launched into the track. The bouncing rhythm was fun and thrilling. Then, cutting from the beautiful guitar tone, the intense NON and Higuchi's melodic intro to \u201cThe Taste of Dreams\u201d begins. This song is a magnificent piece where momentum and melody fuse, expanding the possibilities of NON's music exponentially, sending the venue's energy to its peak.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

Next up, \u201cYamana\u00ef Girl\u201d\u2014a powerful girl's anthem that could be called NON's origin\u2014led into NON's true specialty: the intense punk rock of \u201cSecond Hand.\u201d Nonn's strumming guitar was so cool! During the MC, she declared powerfully, \u201cI came to Niigata to eat delicious rice!\u201d igniting the crowd before connecting into \u201cWatashi wa Heimojiri.\u201d In Joetsu too, she enjoyed the unity with the audience through call-and-response. The finale featured \u201cClimy,\u201d with lyrics by Ai Higuchi. This song wrapped vulnerability and intensity in pop, leaving NON's happiness as a parting gift for the venue as the festival concluded.<\/p>\n

\uff1cBUN BUN PARADE 2025 \u306e\u3093 Setlist\uff1e
\nM1.Haru yo Ukete tatsu <\/span><\/strong>
\nM2.Film no Hikari<\/span><\/strong>
\nM3.Renarrate
\nM4. Meiwaku na rinzin <\/span><\/strong>
\nM5.Yume no azi <\/span><\/strong>
\nM6.Yamanai Girl
\nM7.Byoushin
\nM8.Watashi ha riazyu
\nM9.Cry me<\/p>\n

\"\"Vo & Gt\uff1aNon
\nStylist\uff1aIzumi Machino
\nHair&Makeup\uff1aShie Kanno<\/p>\n

\"\"Gt\uff1aKei Higuchi<\/p>\n

\"\"Ba\uff1aShoko Nakamura<\/p>\n

\"\"<\/p>\n

Dr\uff1aTakato Nagashima<\/p>\n

\"\"
\nPhotographer\uff1aKentaro Minami(FOCUS STUDIO)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

NON performed at \u201cBUN BUN PARADE 2025,\u201d the first music festival ever held in Joetsu City, Niigata Prefecture, on November 16th. This was NON's first live performance in Niigata. Despite it being November, the weather was unseasonably warm and sunny. Numerous food trucks lined up in front of the Joetsu Cultural Center, creating a lovely, cozy scene filled not only with music fans but also many families. PUFFY was unable to perform due to illness, so the festival opened with a last-minute appearance by Okamoto Shou of OKAMOTO'S. This was followed by performances from Soshi Sakiyama, Sabasister, Ai Higuchi, and finally, NON closed the show. NON's familiar opening sound effect played, and she appeared with her band members, warmly welcomed by the cheers of the Joetsu audience. Riding the intro of \u201cHaru yo Ukete tatsu,\u201d she greeted them with, \u201cGood evening, it's NON!\u201d Though it had grown dark outside, her bright performance and singing voice, as if symbolizing the daytime weather, captivated the venue. In the following track \u201cFilm no Hikari,\u201d Shoko Nakamura's bass delivers a solid rhythm\u2014a welcome return to the NON band lineup\u2014while Takato Nagashima's powerful drums make you nod in agreement. The subsequent \u201cRenarrate,\u201d also the album title track, is an utterly beautiful song. NON's clear mid-range vocals combined with Kei Higuchi's undulating guitar riffs lift your spirits. The MC took the stage again to greet the audience, expressing gratitude for their first visit to Niigata. They introduced the next song, \u201cAnnoying Neighbor,\u201d explaining it was created as a cautionary tale to avoid becoming a noisy neighbor, then launched into the track. The bouncing rhythm was fun and thrilling. Then, cutting from the beautiful guitar tone, the intense NON and Higuchi's melodic intro to \u201cThe Taste of Dreams\u201d begins. This song is a magnificent piece where momentum […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_locale":"en_US","_original_post":"https:\/\/nondesu.jp\/?p=28205","footnotes":""},"categories":[22,10],"tags":[],"class_list":["post-28227","post","type-post","status-publish","format-standard","hentry","category-event","category-musician","en-US"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/posts\/28227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/comments?post=28227"}],"version-history":[{"count":1,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/posts\/28227\/revisions"}],"predecessor-version":[{"id":28228,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/posts\/28227\/revisions\/28228"}],"wp:attachment":[{"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/media?parent=28227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/categories?post=28227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nondesu.jp\/wp-json\/wp\/v2\/tags?post=28227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}